Eleanor Johnson

Eleanor Johnson

Eleanor Johnson edits the Poetry section of Public Books. A professor of English and comparative literature at Columbia University, she is the author of Practicing Literary Theory in the Middle Ages (University of Chicago Press, 2013), Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama (University of Chicago Press, 2018), and Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England (University of Chicago, 2023), and two collections of poetry, The Dwell (Scrambler, 2009) and Her Many Feathered Bones (Achiote, 2010). Her book on horror and feminism, Scream with Me, was published by Atria Books in September 2025.

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Writing on Public Books

Unhappy Halloween: “Disturbia” and the Endless Horror of Domestic Violence

Actor Shia LaBeouf got a real-life ending like that of his film character: Go continue to be a predator.

How to Botch a Horror-Feminist Sequel in Seven Depressing Steps: “Alien: Romulus”

“Alien: Romulus” is primarily concerned with its aesthetics, not with its ethics. But post-Dobbs, it needed to do more than look good.

Exorcising American Domestic Violence: “The Exorcist” in 1973 and 2023

“The Exorcist” begins by excoriating women’s liberation and its potential dangers. But it veers into a brutal, unflinching look at domestic violence, unlike in any other film before.

“The Witch” and the History of Euro-American Domestic Violence

“Women and children in Western history could and did find in witchcraft relief from the violence they endured in their own families.”

Speaking the Monster: Ecofeminism in “Alien” and “Aliens”

“The Alien movies model how patriarchal culture distracts people from capitalism’s parasitism by designating women as the real threat.”

Guy Horror: “Rosemary’s Baby” and Coercive Control

Fifty-five years after its release, “Rosemary’s Baby” is still a masterful depiction of abuse we are only now beginning to officially recognize as “coercive control.”

“Beowulf”: A Horror Show

Maria Dahvana Headley’s translation of “Beowulf” forces us to think about what we need to be true about the past, and our access to it.

The Return of Homer’s Women

Emily Wilson’s Odyssey, Pat Barker’s Silence of the Girls, and Madeline Miller’s Circe speak the lost and muted voices of ancient Greek women …

The Return of Homer’s Women

Emily Wilson’s Odyssey, Pat Barker’s Silence of the Girls, and Madeline Miller’s Circe speak the lost and muted voices of ancient Greek women …

Mysteries

In medieval England, craft guilds—nailmakers, woolworkers, saddlers, grocers—designed scenes from Biblical history, beginning with Genesis, coursing through the life of Christ, and ending with Judgment Day. Guild members performed these so-called “mystery” plays annually on the feast day of Corpus Christi. Each scene was performed over and over again throughout the day, on a wagon […]