{"id":41287,"date":"2020-08-10T11:00:01","date_gmt":"2020-08-10T16:00:01","guid":{"rendered":"https:\/\/www.publicbooks.org\/?p=41287"},"modified":"2026-01-16T20:17:59","modified_gmt":"2026-01-17T02:17:59","slug":"episode-4-cultures-online","status":"publish","type":"post","link":"https:\/\/www.publicbooks.org\/episode-4-cultures-online\/","title":{"rendered":"Episode 4: Cultures Online"},"content":{"rendered":"<p class=\"nonindented\">What new cultural forms are developing in the vast universe of the internet? How can observers and scholars keep up with the accelerated pace of human creativity online? And how do racial aesthetics, money, and power play out in internet cultures?<\/p>\n<p class=\"nonindented\"><iframe style=\"width: 100%; max-width: 660px; overflow: hidden; background: transparent;\" src=\"https:\/\/embed.podcasts.apple.com\/us\/podcast\/cultures-online-lauren-michele-jackson-richard-jean\/id1523686748?i=1000512273283\" height=\"175\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\"><\/iframe><\/p>\n<p class=\"nonindented\"><em>Subscribe to <\/em>Public Books 101 <em>on <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/public-books-101\/id1523686748\">Apple<\/a>, <a href=\"https:\/\/open.spotify.com\/show\/52pDLXxtxQOEJTaFPBSi3n?si=sxF5lvz8RUebjh2XzWZMcA\">Spotify<\/a>, <a href=\"https:\/\/www.stitcher.com\/podcast\/shoe-leather\/public-books-101\">Stitcher<\/a>, or <a href=\"https:\/\/pca.st\/podcast\/fffa8970-a8e4-0138-e68d-0acc26574db2\">Pocket Casts<\/a> <\/em><em>to listen and to be notified when new episodes are released. Our RSS feed is available\u00a0<a href=\"https:\/\/public-books-101.castos.com\/feed\">here<\/a>.<\/em><\/p>\n<p class=\"nonindented\"><i>View a list of discussion questions related to this episode <a href=\"https:\/\/www.publicbooks.org\/reading-resources-the-internet\/\" rev=\"en_rl_none\">here<\/a>.<\/i><\/p>\n<h4>Our guests<\/h4>\n<ul>\n<li><strong>Lauren Michele Jackson<\/strong> teaches in the departments of English and African American studies at Northwestern University. She is the author of <a href=\"https:\/\/bookshop.org\/a\/5882\/9780807011805\"><em>White Negroes:\u00a0When Cornrows Were in Vogue\u2026 and Other Thoughts on Cultural Appropriation<\/em><\/a> (Beacon, 2019) and has published widely on digital media and popular culture.<\/li>\n<li><strong>Richard Jean So<\/strong> is an assistant professor of English and cultural analytics at McGill University. He is the author of <a href=\"https:\/\/bookshop.org\/a\/5882\/9780231197731\"><em>Redlining Culture: A Data History of Racial Inequality and Postwar Fiction<\/em><\/a> (Columbia University Press, forthcoming) and <a href=\"https:\/\/bookshop.org\/a\/5882\/9780231176965\"><em>Transpacific Community: America, China, and the Rise and Fall of a Cultural Network<\/em><\/a> (Columbia University Press, 2016).<\/li>\n<li data-pm-slice=\"2 1 [&quot;ul&quot;,{&quot;style&quot;:null,&quot;backgroundColor&quot;:null,&quot;color&quot;:null,&quot;lineHeight&quot;:null,&quot;listStyleType&quot;:null}]\" data-en-clipboard=\"true\">\n<div><b>Annie Galvin<\/b>, this season&#8217;s host, is the associate editor at\u00a0<i>Public Books<\/i> and a Mellon\/ACLS Public Fellow. She holds a PhD in English from the University of Virginia, and her <a href=\"https:\/\/anniegalvin.com\/\">academic and public writing<\/a> has focused on contemporary global fiction, visual culture, gender and sexuality, and popular music.<\/div>\n<\/li>\n<\/ul>\n<h4>Episode notes<\/h4>\n<p class=\"nonindented\">Two influential scholars of digital culture explore the significance of internet-native forms like memes, viral videos, and fan-fiction websites as cultural artifacts. They consider what happens when people are given a place where anyone can say (almost) anything at any time. Lauren and Richard think critically about the assumption that the internet is making culture more democratic\u2014in other words, easier to produce and to access\u2014given that age-old practices like cultural appropriation continue to thrive online.<\/p>\n<p class=\"nonindented\"><em>View a transcript of the episode <a href=\"https:\/\/blogs.cul.columbia.edu\/podcasts\/public-books-101-cultures-online-transcript\/\">here<\/a><\/em>.<\/p>\n<h4 class=\"nonindented\">Mentioned in this episode<\/h4>\n<ul>\n<li>Lauren\u2019s book <a href=\"https:\/\/bookshop.org\/a\/5882\/9780807011805\"><em>White Negroes: When Cornrows Were in Vogue\u2026 and Other Thoughts on Cultural Appropriation<\/em><\/a> (Beacon, 2019)\n<ul>\n<li>(Read an excerpt, \u201c<a href=\"https:\/\/www.publicbooks.org\/the-hipster\/\">The Hipster<\/a>,\u201d in <em>Public Books<\/em>)<\/li>\n<\/ul>\n<\/li>\n<li>Richard\u2019s book <a href=\"https:\/\/bookshop.org\/a\/5882\/9780231197731\"><em>Redlining Culture: A Data History of Racial Inequality and Postwar Fiction<\/em><\/a> (Columbia University Press, forthcoming)<\/li>\n<li>Internet platforms:\n<ul>\n<li><a href=\"https:\/\/www.goodreads.com\/\">Goodreads<\/a>, <a href=\"https:\/\/www.wattpad.com\/\">Wattpad<\/a>, <a href=\"https:\/\/instagram.com\/\">Instagram<\/a>, <a href=\"https:\/\/twitter.com\">Twitter<\/a>, <a href=\"https:\/\/archiveofourown.org\/\">AO3<\/a>, <a href=\"https:\/\/groups.yahoo.com\/neo\">Yahoo Groups<\/a>, <a href=\"https:\/\/www.4chan.org\/\">4chan<\/a><\/li>\n<\/ul>\n<\/li>\n<li>Internet forms or objects:\n<ul>\n<li><a href=\"https:\/\/digitalcommunications.wp.st-andrews.ac.uk\/2019\/06\/14\/what-is-a-gif-file\/\">GIFs<\/a>, <a href=\"https:\/\/www.smithsonianmag.com\/arts-culture\/what-defines-a-meme-1904778\/\">memes<\/a><\/li>\n<\/ul>\n<\/li>\n<li>Richard\u2019s article, coauthored with Edwin Roland, \u201c<a href=\"https:\/\/www.mlajournals.org\/doi\/abs\/10.1632\/pmla.2020.135.1.59\">Race and Distant Reading<\/a>,\u201d<em>\u00a0PMLA<\/em>, vol. 135, no. 1 (2020).<\/li>\n<li>Internet creators:\n<ul>\n<li><a href=\"https:\/\/www.hollyherndon.com\/\">Holly Herndon<\/a>, <a href=\"https:\/\/actuallygrimes.tumblr.com\/\">Grimes<\/a>, <a href=\"http:\/\/www.issarae.com\/\">Issa Rae<\/a><\/li>\n<\/ul>\n<\/li>\n<li>Scholars and writers:\n<ul>\n<li>John Dewey, <a href=\"http:\/\/www.huascene.com\/contact\">Hua Hsu<\/a><\/li>\n<\/ul>\n<\/li>\n<li>Doreen St. Felix on <a href=\"https:\/\/www.thefader.com\/2015\/12\/03\/on-fleek-peaches-monroee-meechie-viral-vines\">Kayla Newman<\/a> and \u201ceyebrows on fleek\u201d<\/li>\n<li>Joshua Lumpkin Green, \u201cDigital Blackface: The Repackaging of the Black Masculine Image\u201d (masters thesis, Miami University, 2006).<\/li>\n<li>On the hoax hashtag <a href=\"https:\/\/www.buzzfeednews.com\/article\/ryanhatesthis\/end-fathers-day-and-feminist-troll-accounts\">#EndFathersDay<\/a><\/li>\n<li>Harriet Beecher Stowe,\u00a0<em>Uncle Tom\u2019s Cabin<\/em> (1895)<\/li>\n<\/ul>\n<h4 class=\"nonindented\">Further reading<\/h4>\n<p class=\"nonindented\">Lauren recommends:<\/p>\n<ul>\n<li>Doreen St. Felix, \u201c<a href=\"https:\/\/www.thefader.com\/2015\/12\/03\/on-fleek-peaches-monroee-meechie-viral-vines\">Black Teens Are Breaking the Internet and Seeing None of the Profits<\/a>,\u201d <em>The Fader<\/em>, December 3, 2015.<\/li>\n<li>Alex Balk, \u201c<a href=\"https:\/\/www.theawl.com\/2015\/02\/my-advice-to-young-people\/\">My Advice to Young People<\/a>,\u201d <em>The Awl<\/em>, February 10, 2015.<\/li>\n<li>John Herrman\u2019s <a href=\"https:\/\/www.nytimes.com\/by\/john-herrman\">reporting<\/a> on technology and media for the\u00a0<em>New York Times<\/em><\/li>\n<\/ul>\n<p class=\"nonindented\">Richard recommends:<\/p>\n<ul>\n<li>Jos\u00e9 Van Dijk,\u00a0<a href=\"https:\/\/bookshop.org\/a\/5882\/9780199970780\"><em>The Culture of Connectivity: A Critical History of Social Media<\/em><\/a> (Oxford University Press, 2013).<\/li>\n<li><span style=\"font-weight: 400;\">Seth Stephens-Davidowitz,\u00a0<a href=\"https:\/\/bookshop.org\/a\/5882\/9780062390868\"><em>Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us about Who We Really Are<\/em><\/a> (Dey Street, 2017).<\/span><\/li>\n<li>Jonathan Sterne, \u201cThinking the Internet: Cultural Studies Versus the Millennium,\u201d in <em>Doing Internet Research: Critical Issues and Methods for Examining the Net<\/em>, edited by Steve Jones (Sage, 1999), pp. 257\u201383.<\/li>\n<\/ul>\n<p class=\"nonindented\"><em>This<\/em><i> episode was produced by\u00a0<a href=\"https:\/\/www.publicbooks.org\/author\/annie-galvin\/\" rev=\"en_rl_none\">Annie Galvin<\/a>\u00a0and <a href=\"https:\/\/www.publicbooks.org\/author\/jess-engebretson\/\" rev=\"en_rl_none\">Jess Engebretson<\/a> and is\u00a0licensed\u00a0under a\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" rel=\"noopener\" rev=\"en_rl_none\">Creative Commons-Attribution\u00a0License<\/a>\u00a0(CC-BY 4.0).<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What new cultural forms are developing in the vast universe of the internet? How can observers and scholars keep up with the accelerated pace of human creativity online?<\/p>\n","protected":false},"author":24,"featured_media":41274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1983],"tags":[1286,68,1712,1894,69],"pbpartner":[],"section":[],"pbseries":[],"class_list":["post-41287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-season-one","tag-digital-humanities","tag-internet","tag-podcast","tag-public-books-101","tag-technology"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Episode 4: Cultures Online - Public Books<\/title>\n<meta name=\"description\" content=\"What new cultural forms are developing in the vast universe of the internet? 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