Tag
Performance
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“The Diva Always Has a Transcendent Virtuosity”: Deborah Paredez on Divas, Tías, and Celebrity
“The diva is so often seen as remote and unattainable and onstage; I wanted to see how divas allow for a connection.”
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Trapped Inside with Bo Burnham
Autofiction like Burnham’s—or Wallace’s, or Lerner’s—show white men using irony, self-deprecation, and vulnerability. Should we listen?
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Paris Doesn’t Always Have To Be Burning
The documentary “Paris Is Burning” obscured the ordinary lives of queer people of color, but new footage reveals how the film could have been different.
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How Does Copyright Matter?
Copyright as we know it is a surprisingly recent development. It has been with us just a few decades—only as long, roughly, as Hello Kitty and the Star Wars …
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Stadium Arts
On the way into Moscow’s Luzhniki Stadium during this year’s World Cup, spectators found FIFA’s flagship Fan Shop in an unlikely spot: at the feet of a monumental statue to Lenin. The irony was unmistakable, but the effect was strangely appropriate. Here, embodied, was the paradox of Russia in the eyes of its foreign visitors:…
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A Tale of Two Artists in ”La La Land”
It isn’t a surprise that Damien Chazelle’s third film, the sunny musical La La Land, would be a portrait of jazz artistry. His 2009 debut …
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Carolee Schneemann’s Unforgivable Art
There’s this old joke. The set-up is always the same: two guys walk into an exhibition catalog. Here’s one version, as told by Carolee Schneemann to Kenneth White in spring of last year, about Happenings and Fluxus, the Harald Szeemann–curated 1970 exhibition in Cologne: So one morning we were sitting around the lunch table, where…
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The Art of Protest
I marched with thousands on the streets of New York, asserting that “Trump is Not Our President” and “Love Trumps Hate.” So far we are free to assemble on Union Square in New York, to march up Fifth Avenue, to shout our anger, our fear, and our resolve. The street and soil are still ours to share. As I…
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Wall Street Women on Film
In an early scene in the recent film Equity, senior investment banker Naomi Bishop (Anna Gunn) and vice president Erin Manning (Sarah Megan Thomas) are celebrating a deal with clients in an upscale restaurant. Soon Erin heads to the bathroom, a nearly full martini glass half hidden by her purse. As she pours out her…
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Cosmopolitans in Indian Fiction
“What does it take to stop dreaming of alternative lives?” Two versions of this question from Anjum Hasan’s The Cosmopolitans speak to challenges now faced around the globe. First: what would it take—in India, in America, anywhere in 2016—to stop dreaming of alternative political systems and pathways for migration, of alternatives to poverty, scarcity, inequality,…
