Tag
Theater
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The Scenery of the Crime
Opera demands a generous sense of the preposterous. So too does the mystery novel.
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Tickets Are for Remembering
Playbills, programs, tickets: such physical documents are no longer part of seeing a show on Broadway. Does it matter?
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“Why Do We Go On Pretending?”: Theater at the End of the World
The theatre is where we go to remind ourselves that we are all dying together, and to live better for it.
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Listening to #MeToo
“Speaking out” is what began the #MeToo movement. But fulfilling its goals will require listening.
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Sanctuary Cities and Sanctuary Theater
Even in Shakespeare’s era, theaters literally shielded people from the state. Today’s theaters might talk sanctuary, but rarely practice it.
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“Now Is the Time of Help”: On Claudia Rankine
A new play centers on a Black woman who stops “accommodating white people” and, instead, asks them “about their love affair with my death.”
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How to Live Among What Is Dead
“Octavia Butler teaches us,” explains Black playwright Ericka Dickerson-Despenza, “…that we have two options in Apocalypse: adapt or die.”
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Alison Carey and Amrita Ramanan on Theater and Climate Change
“Greenturgy” orients a theatrical production toward the play’s environment. And every play has one.
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Helen of West Hollywood
It hardly seems necessary to offer a spoiler alert for news that is well over two millennia old. But some news is so surprising, so contrary to everything we thought we knew, that time can do little …
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Shoptalk: Overheard at ATHE
Theater theorists, historians, and practitioners gathered in Orlando for this year’s annual meeting of ATHE, the Association for Theatre in Higher …
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What the Constitution Means to Us
On June 22, 1999, Jessica Lenahan’s estranged husband, Simon Gonzales, abducted their three daughters from outside Jessica’s house, in Castle Rock …
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Passion and Presence: Maria Irene Fornes, 1930–2018
In 1999, in an interview I conducted with Maria Irene Fornes on the eve of a …
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B-Sides: John Gay’s “The Beggar’s Opera”
In an age of seamless, brazen, total corruption, how should art be? Should it be savage, grim, driven by white-hot rage? Or should it be smiling, gracious …
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We Are All King Lear’s Children
Which is Shakespeare’s timeliest play—the one that best mirrors our present moment? This is a perennial question, and perhaps a silly one, but we might begin an answer …
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“You Could Have Changed Everything”
One may as well begin with George Merrill’s touch to E. M. Forster’s backside (“gently, and just above the buttocks,” Forster recalls). It was 1913 …
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Staging Disability: An Interview with Martyna Majok
Martyna Majok just won the Pulitzer Prize for Drama for her original play Cost of …
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“To Examine Society and Try to Change It”
I take a seat near the middle of the table at 6:06 p.m. The room soon fills, students clutching coffee, shedding coats; someone brings gummy worms and sends them …
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Caliban Blues
Margaret Atwood’s Hag-Seed is one of hundreds of rewritings of Shakespeare’s play The Tempest. The adaptations began just over a decade after its first performance, in 1611, and for the past four …
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“Harry Potter” and “Hamilton” from the Stage to the Page
Move over, Shakespeare. The best-selling play on record is the script of the London theater smash Harry Potter and the Cursed Child, which was published as the latest installment of J. K. Rowling’s wizard saga this summer. In its first week, the script whizzed past the cumulative sales for the previously top-ranked Romeo and Juliet, making…
































