Tag
Digital
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Twitter Ethics Swarm “Euphoria”
The most tweeted about show of the decade, “Euphoria” provoked viewers to gossip about its teenage characters. What did they say?
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Editor 2 Editor: Mary Francis and Gita Manaktala
How does a scholarly book differ from a dissertation, or a string of articles? What does and doesn’t change with a shift to digital publishing? What do editors do all day?
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Digital Lies, Real Ghosts
We’ve all obsessed over someone who isn’t there: fictional characters, an absent lover, the dead. The verb “obsess” means to haunt, harass, or torment, as an evil spirit. But we are usually the conjurors of our own ghosts. Andrew O’Hagan is different. The British journalist’s third work of nonfiction, The Secret Life, collects three previously…
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The World Silicon Valley Made
A repairman at the Shenzhen electronic bazaar treks from stall to stall, gathering inexpensive camera modules, casings, glass displays, batteries, and motherboards, and then, with only a screwdriver and his fingernails, he pieces it all together to produce a tiny talisman capable of channeling the world’s intelligence. To consumers, the iPhone can seem hermetic, consummate,…
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Books after the Death of the Book
Last summer I decided to assign Ted Chiang’s The Lifecycle of Software Objects in the graduate course I was getting ready to teach. The title …
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The Selfie-Taker and the Dictionary-Maker
Soon after John Simpson was hired as an editorial assistant at the Oxford English Dictionary in 1976, he took on the task of documenting new meanings of old …
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Our Metrics, Ourselves
In 1994, a doctor named Clifton Meador penned a satirical portrait of “the last well person” for the New England Journal of Medicine. The protagonist, bent on discovering every datum of unwellness …
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“Westworld” and the Dawn of Baroque TV
Part of the thrill of our New Golden Age of Television has been discovering incredible shows in places one wouldn’t have previously thought to look: streaming services, formerly niche channels, YouTube. With so many options, it’s a bit exhausting when a show arrives demanding to be recognized as the next big thing. Westworld—the 1973 sci-fi…
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Josef Albers in the iPad Era
In a crisp white shirt, his right knee on the floor, famed former Bauhaus instructor and future head of Yale University’s department of design Josef Albers holds a half-smoked cigarette in one hand and a color swatch in the other. He is demonstrating to a class of students at Black Mountain College the precarious principles…
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Being Data
In 1966, Der Spiegel interviewed Martin Heidegger: SPIEGEL: And what takes the place of philosophy now? HEIDEGGER: Cybernetics.1 Even before the mass production of personal computers, Heidegger saw the writing on the wall for the humanities. Today, STEM funding far outpaces institutional investment in philosophy, history, or literature departments. To some, the “digital humanities” offer…
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From Bartleby to Scrivener for iOS
From the earliest typewriters to Google Docs, writing devices have never been built for novelists. Instead, they are designed for office use, with creative writing of all sorts seen as a marginal-at-best side market. Determining what difference these repurposed office technologies make to writing is difficult, though, since no simple hypothesis about the effects of…
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Gamifying the Workplace
Anyone who has read The Adventures of Tom Sawyer no doubt remembers the fence-painting scene. Consigned as a punishment by his Aunt Polly to spend a Saturday whitewashing 30 yards of wooden fence, Tom instead recruits neighborhood boys to do the chore for him. He convinces his marks that fence painting—far from being drudgery—is an…
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Seeing Things
December 1, 2015 — One of the great myths of our time concerns the promise of a global vision, of seeing things with the power, distance, and clarity of an all-encompassing vantage point, what Donna Haraway once called “the god trick.”1 It is no surprise that the first photographs to give this kind of perspective on…
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Introduction to The Size Queens’ iBook,“To The Country”
Over the past nine years, The Size Queens have deployed a variety of interdisciplinary approaches, experiments in distribution, and collaborations primarily because we could not exist as a touring band. I’ve lived overseas for most of the time the group has been in existence, and, as its vocalist and lyricist, this has led us to…
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A Global Neuromancer
Neuromancer is now more than 30 years old, a considerable time to remain a classic. Its publication in the Orwellian year will seem ironic and laden with symbolism only for those who think Orwell has …
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What World? Whose Algorithms?
In an arresting chapter in Carolyn L. Kane’s new book, Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code, she analyzes the movie Predator, which gives expression to hyperbolic fears about the potentially dire implications of the rise of computerized algorithms, in this case the algorithms that animate digital infrared technologies. In the movie,…
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The Best of 2015
It’s finally spring and we’ve settled comfortably in 2015’s controversies and think pieces, its soundtrack and landscape, its must-sees and many of its premieres and releases. But never fear: There is still so much to live through the year for. Here’s some of the best of what’s come and what still awaits us. Nate Marshall’s…
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Drone Poems
The protests of Hong Kong’s 2014 “Umbrella Revolution” were marked in early days by the intermittent appearance of a helicopter drone flying high above the crowds, looking rather like a pizza box with propellers. I heard a moment’s nervous murmuring from the crowd each time it went up. But the drone’s LEDs were swirling red…































