Section
Art
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Extracting Blackness, from the Middle Ages to Today
I could not look at the dismembered Ethiopian leg without feeling the weight of a racial history that has never quite let up.
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Quilting: An Archive of Hand, Eye, and Soul
Once, Black women employed textile arts both as a mutual aid network, and as a safe space to envision a Southern Black liberated life.
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Build Culture, Build Community, Break Fascism
On both sides of the border, artivistas—art activists—infuse their creative and political work with minority struggle and solidarity.
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You Are Never Alone at the Museum
What do we see when looking at art from the perspective of the infrastructures that sustain it?
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Museums as Monuments to White Supremacy
Millions of items looted from Africa during the colonial era remain housed in private collections and museums around the world.
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Unruly Objects
By making familiar objects strange, two new books of poetry reveal the limits of overly simple critique.
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“Somewhere in This Brain”: Memories of Segregation, Soul Music & “Macbeth” with Al Bell
“A song was written through me, and I say that because I didn’t write it. The words were given to me.”[none-for-homepage]
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Minimal Success
In art, it is often said, less is more. The same may also be true for criticism.
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Can Photography Be Decolonial?
Can the inherent contradictions of “whiteness” and the “decolonial” ever align with the reparative potential of photography?
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Mend Your Ways
An exhibition of Japanese textiles celebrates repaired clothing: flipping salvage into sustainability, and damage into beauty.
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B-Sides: Brecht Evens’s “The Making Of”
How could any Belgian graphic novel escape Tintin’s shadow? Enter Brecht Evens’s The Making Of.
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Patricia Banks on Supporting African American Museums
Studies of museum patronage mostly focus on social class. That’s not the whole story.
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Fascism’s Cultural Behemoth
Milan 1919: Fascism was founded as a movement almost exactly a century ago, by journalist and agitator Benito Mussolini along with a gaggle of World War I …
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What Did We See in Color TV?
For those seeking to break up with their phones, or just decrease their screen time, tech ethicist Tristan Harris recommends starting with a quick technological fix …
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The Book of Faces
I’m not actually sure if I should call Jessica Helfand’s Face: A Visual Odyssey a book. I mean, it looks like a book. It has text, divided into sentences, paragraphs, and sections. It’s on pages …
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Design with Disability
The “Accessible Icon” by Brian Glenney and Sara Hendren began as design activism: the artists defaced existing disability access symbols with red and orange vinyl stickers. Today, their so-called “active wheelchair” logo has been adopted as the new standard by institutions and cities around the world. This clean, “accurate” image greeted visitors to the Access…
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“What Invisibility Looks Like”
Richard S. Leghorn, the Pentagon official who coined the phrase “Information Age,” in 1960, never thought it would catch on. More than half a century later, no …
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Do Images Still Help Us See?
Contrary to what its title might suggest, Hito Steyerl’s latest collection of essays does not explain how to avoid customs charges at dubious borders. Much more …
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“The Political Body”: Radical Women and Latin American Art
Radical Women: Latin American Art, 1960–1985 was conceived 10 years ago …
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“A Thousand Years” of Zoe Leonard
Zoe Leonard has a gift for seeing similarities. In every gallery of her Survey at the Whitney, this capacity for sensing, finding, and producing similarities is …
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Painting while Shackled to a Floor
What does it mean to make art with limited resources, under constant surveillance, when incarcerated in some of the most restrictive and punitive institutions in the modern American prison system? Two exhibits currently on view in New York City pose that question by bringing paintings, drawings, and sculpture out from behind the bars of death…
